Lee Child is chatty, generous with his time, this genius author who created Jack Reacher – possibly the most enigmatic series character in contemporary thriller fiction.
For the uninitiated, Jack Reacher is ex-military police; six foot five inches tall, with rugged good looks. He’s now a drifter hitchhiking across the US, inadvertently becoming embroiled in nailbiting life-and-death action. Men, in fictional and real worlds, respect his innate cunning and the physical agility with which he keeps the bad guys cowering. Women are intrigued by his reserve and fall for his seductive allure, but he remains a loner.
“His most obvious emotional issue,” Child explains, “is the duality between enjoying and needing his solitude but at the same time experiencing heartache and alienation.”
What secret, then, lies in Reacher’s past?
“You can infer he’s been unlucky in love. He’s condemned to a life of loneliness.” But not even Child fully knows Reacher. “I’m not one of those writers who works out a mock biography. I don’t know where Jack went to school. I don’t care what his favourite colour is. I treat him as I would treat a real person. You never know everything about somebody. Even with good friends it may take many, many years before you unravel all the incidents of their past.
“Perversely, a lot of readers would be very pleased if Reacher settled down. Readers worry about him. They’d be gratified if he found happiness but of course it would bring an end to the series.”
What was the catalyst in creating Reacher?
“His experience parallels my own. In the mid-’90s I was fired from my job in television at a time the industry was reorganising. I tried to give the same back story to Reacher. Because of circumstances out of his control he was turned out into the civilian world, and dislocated from what he was used to.
“On the overt level I’m obviously separate from him, but there’s an awful lot of autobiography in a main character, so in a sense Reacher is a little of me, and he does what I would do if I could get away with it. I resist the temptation to make him too good.
“In my new book he’s under a lot of pressure. He’s got to deliver for the organisation and faces a situation that’s extremely serious.”
If Child recognises himself in Reacher, equally then, he recognises a little of himself in all the bad guys he’s ever dreamed up. “Although,” he’s quick to add, “I prefer writing about Reacher doing the right thing rather than the bad guys doing the bad thing.”
Certainly a cast of ruthless criminals appear in Child’s hard-hitting thriller, Night School. Stolen nuclear warheads, sold on the black market to unscrupulous Saudis, are a threat to millions.
“I wanted to explore the pre-millennium years. The Cold War was over – this is only 20 years ago. The threat of nuclear war was replaced by a new threat. A sense of fluidity, improvisation, and panic became fertile. I’ve revisited the roots of what we’re dealing with now, the terrorism factor.”
I ask about biographer Andy Martin’s description of Child as “an evil mastermind bastard”. He laughs. “I took that as meaning I supply really good gut-wrenching plot twists. I was pleased. There’s nothing better in a book than when you’re following it along eagerly and then you say, ‘Wow, this is something else!’”
No Lee Child interview is complete without referring to the casting of Tom Cruise in the movie series – an actor about 10 inches shorter than the character. Child is forthright: “No actors look like Reacher, none at all. Here’s a guy,” he says of Cruise, “who gets the inside of Reacher on screen. I’m thrilled and delighted that people would be so concerned about who’d play Reacher. I see it as a badge of honour.”
Ex-Major Reacher, highly decorated himself, will remain forever the wanderer, so unencumbered that he has no suitcase (although he clearly has baggage), buys clothes on a need-to-change basis, and carries only his toothbrush and credit card in his pocket.